The exhibition I’m currently a part of at the Institute of Contemporary Art in Boston will travel to Minneapolis Institute of Art, Minnesota in February before going to Cantor Arts Centre at Stanford University. In Reena Kallat's works over the last several years, the border, the territory and the map have recurred as potent forms that point to broad historical narratives as well as the manner in which human kind have left the imprint of history on geography. The exhibit uses the motifs of the border, the territory and the map to point to broad historical narratives as well and humankind's imprint on geography. Reena Saini Kallat | Blind Spots 29 Nov - 28 Dec 2019 DEMARCATIONS Reena Saini Kallat, Recent Works Reena Saini Kallat’s work is an extended and productive engagement with two starkly opposed conditions: schism and conflict on the one hand; and, on the other, hybridity and synthesis. May 2020. FEATURING THE VERY TALENTED AND THE VERY NEW, PLATFORM HAS BEEN CIRCULATING SINCE 2005. Photographer: Jonathan Muzikar. There are several institutional group shows such asthe one at SITE Santa Fe in New Mexico, Migros Museum in Zurich, YARAT Contemporary Art Space in Baku, Hayward Gallery, London amongst others. As the founding promises within each pair of nation-states are revealed one alphabet at a time, the shared principles such as equality, justice, liberty common to both Preambles seem to morph into braille like dots. I’d started working with the Preamble to the Constitution of India in 2003,as a reminder of the values and principles embedded within this most inclusive document, at a time when we were clearly seeing the erosion of these values. Saturday, 28th December, 2019 The New Year begins with the setting up of my solo exhibition at the CSMVS (Chhatrapati Shivaji Maharaj Vastu Sangrahalaya) titled Verso-Recto-Recto-Verso opening on 9th January. 2017. Our brain interpolates the blind spot based on other information as we derive meaning and that shapes our experiences.One form of erasure is the gap in understanding between what is meant and how it’s understood butwhat about the erasure of certain histories through the manipulation of memory? In the interim four years since my last solo exhibition in Mumbai, I’ve had a large solo at the Manchester Museum in 2017, a project at Tate Exchange in London besides participations at the Museum of Modern Art, New York, Havana Biennial, the Busan Biennial, the Colombo Biennial, Kunstmuseum in Wolfsburg, collection shows by the Art Gallery of New South Wales in Sydney and another set of 10 works from the collection of Musee des beaux-arts, Ottawa travelling to various institutions around Canada. November 2020. In the video Synapse (2009-10) anxious patients undergoing vision tests hesitantly read out letters that form the preamble of the constitution of India. On Display till There is a fictional element in what we bring to memory which is also why no two people see anything exactly alike. The work, which considers constitutions written by countries in conflict, can be seen at the Wilfredo Lam Centre for Contemporary Art. A solo show after four years...how are you feeling? In Blind Spots (2018-19), Reena Kallat deploys the preambles of the constitutions of seven pairs of warring nations from around the world as eye charts used to measure vision. In 2009-10, I revisited the preamble of the Indian constitution in the video titled, Synapse which is an ironic play on legibility. Internationally acclaimed Mumbai-based artist Reena Saini Kallat titled Blind Spots is being presented as a solo exhibition by Chemould Prescott Road. While I always think more spatially and sculpturally, I’ve never privileged any one particular medium over another in my mind since I strongly believe the material choices have to find the right fit with the form based on the idea being communicated. Nestled brings together the works of sculptor and painter Adip Dutta and the revered artist late Meera Mukherjee on display from 22nd January. Vadehra Art Gallery announces (ME)(MORY), a women’s group show curated by Dipti Anand, featuring nine artists with a subcontinental presence. Cancel Anytime [ No Commitments]Digital Only; RECENT ISSUES View All. video stills. In conversation with the self-taught mixed media artist about his surrealist visual style, creative process and more. At Chemould Prescott Road, Mumbai At the National Gallery of Modern Art, Walking Through Soul City is a retrospective of Sudhir Patwardhan’s paintings. June 2020. PLATFORM IS A CREATIVE LIFESTYLE MAGAZINE BASED IN NEW DELHI, INDIA, COVERING A VARIETY OF SUBJECTS IN ART, DESIGN, FASHION, FILM, LIFESTYLE, LITERATURE AND MUSIC. Following her solo exhibition at the Manchester Museum, and a flurry of exhibitions internationally at venues as varied as the Museum of Modern Art in New York, Art Gallery of New South Wales, and Havana Biennale, this is Reena’s solo exhibition in … Excerpts. January 2021. Blind Spots. (2011-2016). 2 mins read . I think artificial intelligence in general will affect every aspect of our lives not just technology alone. Cleft. Titled 'Blind Spots', the exhibition will run from November 30 to December 28. In Reena Kallat's works over the last several years, the border, the territory and the map have recurred as potent forms that point to … Let the platform newsletter keep you up-to-date with all things art, fashion, lifestyle, design, film and music. Accomplished women bare out their minds for peace between India-Pakistan, focussing on shared heritage, art, culture India's active Covid-19 cases fall … Overview ... Reena Saini Kallat. Edition of 3 plus 1 artist's proof. For Blind Spots, I’ve extended this to pairs of nations such as North and South Korea, US and Cuba, Sudan and South Sudan, Serbia and Croatia, and India, Bangladesh and Pakistan. While borders are a political construct, I've primarily been interested in the psychological, social barriers between people more than the physical borders themselves. Read this exciting story from Architect and Interiors India January 2020. There’s no denying that its presence is changing the way we think about ourselves as a race. Reena Saini Kallat’s (b. Here she broke down her practice, the time she spent away and what's in store for the new year. The inscrutability of the words evokes the blurred vision that makes citizens and governments across the world see only difference and conflict where there exist the common aspirations of people everywhere. Blind Spots: Reena Saini Kallat. December 2020. Blind Spots by Reena Kallat. Last month, Chemould PrescottRoad presented a solo exhibition of internationally-acclaimed Mumbai-based artist Reena Saini Kallat, titled Blind Spots. In Blind Spots (2018-19), Reena Kallat deploys the preambles of the constitutions of seven pairs of warring nations from around the world as eye charts used to measure vision. We create meaning through a mental bridge that the mind forms to conceptually complete the gap. September 2020. Exploring the practice of the documentary photographer. Jimei x Arles International Photo Festival November 22 - January 5, 2020 Jimei District, Xiamen, China Featuring works by Gauri Gill, Pushpamala N. Abu Dhabi Fair 2019 Booth S12 November 21 - November 23, 2019 Manarat Al Saadiyat, Abu Dhbai Text Hansika Lohani Mehtani. Tap India brings forth Tap 4x, Curated Shows, Exclusive Events with a special focus on India. Reena Kallat is known for Symbolic, surreal object, botanic and portrait painting. Diptych. DEMARCATIONS Reena Saini Kallat, Recent Works Reena Saini Kallat’s work is an extended and productive engagement with two starkly opposed conditions: schism and conflict on the one hand; and, on the other, hybridity and synthesis. In Blind Spots (2018-19), Reena Kallat deploys the preambles of the constitutions of seven pairs of warring nations from around the world as eye charts used to measure vision. August 2020. Blind Spots Reena Saini Kallat. Reena Saini Kallat’s ‘Blind Spots’ exposed the disintegration of borders in democracies, where truth is hidden and borders are a political construct. ...more As the founding promises of hostile nationstates are revealed as pyramids of disjointed letters, words common to the constitutions of each pair morph into Braille-like dots. A practice spanning drawing, photography, sculpture, and video, can you choose a medium if ever asked to? July 2020. 96 x 68 x 56 inches 244 x 173 x 142 cm. CHORUS I, 2015 -19. It feels wonderful to be able to see all the works come together. What do you think is the next big thing in art? What was the inspiration behind moving your subject from the maps to this? Also the work I’m showing at the Oscar Niemeyer Museum in Brazil as part of the Curitiba Biennial will be exhibited at the International Biennial of Asuncion, Paraguay in March. Woven Chronicle. Painted FRP, metal, speakers, 5 mins 11 secs single channel audio. October 2020. Border Lines Architect and Interiors India | January 2020 Last month, Chemould PrescottRoad presented a solo exhibition of internationally-acclaimed Mumbai-based artist Reena Saini Kallat, titled Blind Spots. Last month, Chemould PrescottRoad presented a solo exhibition of internationally-acclaimed Mumbai-based artist Reena Saini Kallat, titled Blind Spots. Kallat’s examinations highlight the limits of perception, of both individuals and societies, to reveal blind spots that might allow the clearing of shared vision.Her work is widely exhibited at institutions including the Museum of Modern Art (MOMA), New York; Migros Museum of Contemporary Art, Zurich; Tate Modern, London; Art Gallery of New South Wales, Sydney; Museum of Modern and Contemporary Art, … Reena’s practice spans drawing, photography, sculpture and video engaging diverse materials imbued with conceptual underpinnings, questioning ideas of borders, geography, landscape, identity, memory, history and the natural world. Internationally-acclaimed Mumbai-based artist Reena Saini Kallat is back after four years with a solo exhibition at Chemould Prescott Road titled Blind Spots. THE BIG PICTURE Reena Saini Kallat’s ‘Blind Spots’ reinforces the artist’s preoccupation with the impact of human intervention on nature. Reena Saini Kallat: Blind Spots November 29 - December 28, 2019 Chemould Prescott Road, Mumbai. The exhibition title is derived from the video installation 'Blind Spots' where I'm exploring the space of the missing fragment, omission of data or no cognition.While information gets processed through a cognitive, emotive, intellectual process, there is a gap between what we see, how we perceive and interpret information. 'In Blind Spots (2018-19), her solo show after a gap of four years, Reena Kallat deploys the preambles of the constitutions of seven pairs of warring nations from around the world as Snellen eye charts used by optometrists to measure vision.' While on the one hand it’s challenging our capacities and out performing us in a number of tasks, on the other hand I think it will make creative pursuits such as art, philosophy, poetry, musicmore relevant since they are an exploration of the human condition and the attempt at a deeper understanding of life itself.
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