Rain, Steam and Speed – The Great Western Railway is an oil painting by the 19th-century British painter J. M. W. Turner. Joseph Mallord William Turner and Isambard Kingdom Brunel were the leading British practitioners in their respective fields in the 19th Century. - London, National Gallery Turner manifests a sensibility to warm colors, a new informal composition and an interest for modern reality. At the age of ten, due to his mother's signs of mental instability, Turner was sent to live with an uncle in Brentford, Middlesex, … Joseph Mallord William Turner became known as the “Painter of Light” due to his fascination of brilliant, bold color schemes in many of his landscapes, as well as his seascapes. Turner, Rain, Steam and Speed - The Great Western Railway -oil on canvas -one point linear perspective (diagonal lines of two bridges converge on vanishing point on horizon) J. M. W. Turner The Harbor of Dieppe The Fighting Temeraire Slave Ship Snow Storm Rain, Steam, and Speed -- The Great Western Railway J.M.W. Here Turner combines the view of violent nature with a tribute to technology (the railway) and to architectural achievement (the bridge). Rain Steam and Speed - The Great Western Railway Joseph Mallord William Turner Turner displayed an evident evolution in his painting style throughout his long career. Artwork page for ‘Rain, Steam, and Speed, engraved by R. Brandard’, after Joseph Mallord William Turner, published 1859–61 Turner’s painting, reproduced in this engraving, seems to summarise modernity for Turner’s generation. Turner's gallery: on the left. ... J.M.W. ( Log Out /  Find more prominent pieces of landscape at Wikiart.org – best visual art database. With regards to Turner’s unique style and use of colors, Simon Wilson stated in the “Tate Gallery: An Illustrated Companion”: “Looking at Turner's pictures of the yellow dawn or the red of sunset, one is aware, perhaps for the first time in art, of the isolation of colour in itself. J. M. W. Turner, "Rain, Steam and Speed—The Great Western Railway" (1844) National Gallery, LondonJohn Berger, "J. M. W. Turner," Portraits: John Berger on Artists (London and New York: Verso, 2015 ) Kobo edition A short analysis of Turner's painting inspired by John Berger's insightful essay on Turner in his book Portraits. Researchers have determined that the scene reproduced in ‘Rain, Steam and Speed’ is the Maidenhead Railway Bridge that crosses the River Thames at Taplow and Maidenhead. Turner elicited strong responses from friends and foes alike. Among all of the paintings I studied in the darkness of my college art classes, J. M. W. Turner’s Rain, Steam and Speed is one that sticks out in my memory. ‘Rain, Steam and Speed’ (1844) J.M.W. ‘Rain Steam and Speed, The Great Western Railway’ was created by J.M.W. ( Log Out /  Full steam ahead: JMW Turner's Rain, Steam and Speed – The Great Western Railway Rain blends into the steam of the onrushing train in Turner's … Joseph Mallord William Turner, Rain, Steam, and Speed — The Great Western Railway, oil on canvas, 1844 (National Gallery, London) Rain, Steam, and Speed — The Great Western Railway was exhibited at the Royal Academy in 1844. Change ), You are commenting using your Twitter account. Change ). Rain, Steam and Speed is an outstanding example of J.M.W. The painting is discussed here: ... J. M.W. with a longer discussion of Turner’s works portraying the Industrial Revolution here: Brunel’s work on the Maidenhead Railway Bridge is described at this site: which includes a wide range of historical images and texts relating to the bridge. The nearly abstract Rain, Steam, and Speed—The Great Western Railway (1844; National Gallery, London) evokes the Industrial Revolution’s rapid transformations through strong diagonals, bold contrasts of light and dark, and tumultuous handling. The most famous loan here is Rain, Steam and Speed, borrowed from the National Gallery. In true Turner style, the wonderful composition of The Fighting Temeraire was played out by his warm color palette. Rain, Steam, and Speed - The Great Western Railway was exhibited in 1844. I’m not a huge fan of the Romantic period and, admittedly, when I first saw it, I thought it was … Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Even his sea-pieces contain flecks of bright un-modulated colour that enliven them at first sight with more monochromatic treatment. 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